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Opera in Cinema


Thank you for your patience! Our Opera in Cinema Series at Camera 3 Entertainment is back with a new partner, Rising Alternative. And best of all, all productions are now screened as they were meant to be experienced -- in dazzling Sony Digital Cinema 4K (the highest resolution available) with Dolby Digital surround sound, in our spacious large auditorium.

Camera 3 Entertainment is located at 288 S. Second Street in the heart of downtown San Jose, Silicon Valley's center of arts and culture. See acclaimed new productions monthly of popular European based operas -- and sometimes ballets -- featuring the world's greatest stars and companies, Sundays at 12 noon with encore screenings the following Tuesday at 7:15pm.

Tickets are just $18.50, the lowest price for theatrical opera presentations in the South Bay. Partake in specialty coffees or beer and wine in the lobby before and after the show. And of course, we offer FREE validated parking in the attached, covered parking garage (just present your same day ticket purchase at the box office). Please note that these are special events, and no discount cards, group discount booklets, passes or re-admits will be accepted.

OPERA Schedule
Click on film title below to purchase tickets now, or purchase day of show at box office

April 9 (12 noon) & 11 (7:15pm)
I Due Foscari (Verdi) -- Teatro alla Scala, Milan, Italy (2017)
Genre: OPERA
Running time: 2 hours, 10 mins (sung in Italian, with English subtitles)
Conductor: Michele Mariotti
Stage Director: Alvis Hermanis
Set Designer: Alvis Hermanis
Costume Designer: Kristine Jurjane
Lighting Designer: Gleb Filshtinsky
Chorus/Orchestra: Teatro alla Scala Chorus and Orchestra
Cast: Placido Domingo, Francesco Meli, Anna Pirozzi, Andrea Concetti, Edoardo Milletti, Chiara Isotton, Azer Rza-Zade, Till von Orlowsky
Synopsis: Here is Placido Domingo’s latest conquest: the leading baritone role of Francesco Foscari in Verdi’s darkly atmospheric, melodically generous early opera, based on Lord Byron’s play. Set in 15th-century Venice, I Due Foscari is the forerunner of Simon Boccanegra, and Domingo’s triumph as the Doge set the seal on this critically lauded new production from Milan’s Teatro alla Scala, the ultimate Verdi shrine. Declaring the legendary singer “the definitive Francesco of recent times”, the Financial Times’s reviewer also had high praise for the rest of La Scala’s superb cast, from “Andrea Concetti’s solid Loredano, to the immaculate Francesco Meli in a perfect match for Jacopo. Anna Pirozzi makes a triumphant house debut as Lucrezia. She wins hearts and minds through fearsome dramatisation and thrilling vocal power. But the revelation of the night is [conductor] Michele Mariotti. Here is an interpretation of unbridled elasticity [...] There is the whiff of Venice’s sea breeze and a surge in its lagoon. The well-drilled chorus of patricians sends a chill down the spine. Mariota is the wunderkind of the Italian repertoire.”

May 14 (12 noon) & 16 (7:15pm)
MacBeth (Verdi) -- Gran Teatre del Liceu, Barcelona (2017)
Genre: OPERA
Running time: 3 hours, 40 mins (sung in Italian, with English subtitles)
Conductor: Giampaolo Bisanti
Stage Director: Christof Loy
Choreography: Thomas Wilhelm
Sets: Jonas Dahlberg
Costumes: Ursula Renzenbrink
Lighting: Bernd Purkrabek
Chorus Master: Conxita Garcia
Cast: Ludovic Tezier, Vitalij Kowaljow, Martina Serafin, Saimir Pirgu, Albert Casals, Anne Puche, David Sanchez, Mac Canturri
Synopsis:General of the victorious Scottish armies, Macbeth, General of the victorious Scottish armies, hears a prophecy from three witches that predict he will be the next King of Scotland. Believing this premonition, his wife encourages him to kill the King. His divine right drives Macbeth to be bloodthirsty with friends and opponents alike but alone and racked with guilt, he faces his last battle and death. Giuseppe Verdi felt inspired by Shakespeare’s work and his devotion led to the first opera based on one of the writer’s texts. Verdi’s enthusiasm gave him the will of achieving “something extraordinary” with the iconic writers work. In this version, Christof Loy directs the action in a classic timeless space with surrealistic touches dominated by blacks and whites, adding to the great dramatic intensity.

June 25 (12 noon) & 27 (7:15pm)
Madama Butterfly (Puccini) -- Festival Euro Mediterraneo/Teatro Antico Taormina (2016)
Genre: OPERA
Running time: 2 hours, 40 mins (sung in Italian, with English subtitles)
Conductor: Myron Michailidis
Director/Set Designer: Enrico Castiglione
Costume Designer: Sonia Cammarata
Cast: Hye Myung Kang, Zoran Todorovich, Ning Liang, Davide Damiani
Synopsis: Nagasaki, early 20th century. The geisha Cio-Cio-San, called Madame Butterfly, has married an American naval officer, Pinkerton, who deserts her shortly after the wedding. Butterfly bears his son and patiently awaits her husband's return. One day, the American consul receives a letter from Pinkerton in which he says he has an American wife (his marriage in Japan not being legally recognized in America) and is returning to fetch his child. Pinkerton's ship finally arrives and he sets out to visit Butterfly with his wife Kate. Filled with remorse, however, he is unable to face Butterfly and leaves Kate alone with her. Butterfly tells Kate that she will give Pinkerton his son if he comes to fetch him. Rejecting a life of disgrace, she kills herself with her father's sword. Pinkerton arrives to find her dead.

July 23 (12 noon) & 25 (7:15pm)
Cosi fan Tutte (Mozart) -- Opera National de Paris (2017)
Genre: OPERA
Running time: 3 hours, 10 mins (sung in Italian, with English subtitles)
Conductor: Philippe Jordan
Stage Director: Anne Teresa De Keersmaeker
Choreography: Anne Teresa De Keersmaeker
Sets and Lighting: Jan Versweyveld
Costume Design: Dries Van Noten
Chorus Master: Alessandro Di Stefano, Orchestra and Chorus of the Opera de Paris
Cast: Jacquelyn Wagner, Michele Losier, Frederic Antoun, Philippe Sly, Paulo Szot, Ginger Costa-Jackson
Synopsis: Prompted by Don Alfonso, a cynical old philosopher, two young idealists decide to put their lovers’ fidelity to the test. But love will teach them a bitter lesson: those who believe themselves phoenixes and goddesses will discover the desires of the flesh… In 1790, one year after the French Revolution, in what would be their final collaboration, Mozart and Da Ponte conduct a scientific investigation of love. The music of Così fan tutte is truly extraordinary – complex in its symmetry, jovial and yet infused with an almost sacred melancholia. An extraordinary score where each note seems intended to make us accept a loss – lost paradise, lost youth, or a lost loved-one – and portray a world where all is in a constant state of flux. This laboratory of eroticism could but inspire choreographer Anne Teresa De Keersmaeker, who excels in revealing a work’s innermost geometry on stage. With six singers doubled by six dancers, she depicts the desire which unites and separates human beings, like the interactions between atoms that, once broken, make new bonds possible.
       















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