1. Split $25.7M/$77.4M
2. A Dog's Purpose $18.2M
3. Hidden Figures $14.0M/$104.0M
4. Resident Evil: The Final Chapter $13.6M
5. La La Land $12.2M/$106.7M
6. xXx: Return of Xander Cage $8.6M/$33.8M
7. Sing $6.4M/$257.6M
8. Rogue One $5.3M/$520.2M
9. Monster Trucks $4.2M/$28.2M
10. Gold $3.5M
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Director: Ana Lily Amirpour (A Girl Walks Home Alone at Night)
Cast: Keanu Reeves, Jason Momoa, Suki Waterhouse, Jim Carrey, Giovanni Ribisi, Diego Luna
Synopsis:Preceded by short film, Six and a Half! Arlen is left in a Texas wasteland fenced off from civilization. While trying to navigate the unforgiving landscape, she is captured by a savage band of cannibals led by the mysterious Miami Man. With her life on the line she makes her way to The Dream. As she adjusts to life in 'the bad batch' Arlen discovers that being good or bad mostly depends on who's standing next to you. "Unique and compelling."--Austin Chronicle
Running Time: 118 Minutes (plus 8-10 minutes of trailers)
Camera 3 DowntownBuy Tickets Preceded by short film, Six and a Half! One Week Only (Must End Thu, June 22nd)! Mon, Wed-Thu at 8:25; Tue Does Not Show
No free passes or daily deals, but discount cards o.k.
Ana Lily Amirpour gets post-apocalyptic with her second feature
By Marjorie Baumgarten
Ana Lily Amirpour’s follow-up to her riveting filmmaking debut, the feminist vampire film A Girl Walks Home Alone at Night, is this fascinating post-apocalyptic cannibal survival tale, The Bad Batch. Although a bit shaggier than her first attention-getting debut, The Bad Batch is nevertheless a compelling work.
The near-wordless opening scenes of The Bad Batch set a gripping storytelling standard that’s hard for the rest of the movie to maintain, much less surpass. The film’s central character, Arlen (the former model Suki Waterhouse), is thrust beyond the gates of America as the film opens. Branded as one of the “bad batch,” such human rejects are tattooed with a number and evicted from governed society. There’s nothing but West Texas desert and dry badlands as far as her eye can see. She walks and walks, depletes her water rations, and stops in an abandoned car to fix her makeup, where she is captured by hunters from the cannibalistic Bridge People. Back at camp, she is chained while waiting for her limbs to be cut off and cooked for mealtime. An arm, and then a leg, are both horrifically cauterized with the flat end of a frying pan. Yet Arlen figures a way to squirm away from her predicament and back out into the desert, where she is picked up by the mute vagabond scavenger (played by an unrecognizable Jim Carrey) who carries her away in a shopping cart.
These opening 20 minutes or so are just astonishing that little that follows has nearly the same impact. Next, Arlen lands in the community of Comfort, where the survivors are meat-eaters but not cannibals. She heals, gains a prosthetic leg (but why not an arm, as well?), and begins to figure out her surroundings. Fortified Comfort is overseen by the Dream (an also unrecognizable Keanu Reeves), who keeps the masses tripping out on acid and electronica (DJ’d by Diego Luna, who has too little to do here). Subplots vaguely form, a little girl enters the picture, while her father, beefy Miami Man (Jason Momoa), is on her trail. Portions of the film drag somewhat during these portions, and two scenes by Giovanni Ribisi as a babbling pseudo-fount of knowledge are intriguing but pointless.
With her second feature (and a much bigger budget), Amirpour proves that she's still a filmmaker to watch. Even if The Bad Batch calls to mind the post-apocalyptic landscape of Mad Max, Amirpour’s visual sensibility remains strikingly unique. This film’s production design (by Brandon Tonner-Connolly) is full of delightful details and desolate deprivations. Appearing in nearly every scene, Waterhouse also shows herself to be a stirring screen presence. The Bad Batch may be short a few pints in the story department, but the film has precious vital fluids pumping through its guts.